The Michigan governor candidate represented him in the B-list movies. Strange!

If you didn’t know who Tudor Dixon was before August, few would blame you. Dixon, a former steel factory director and right-wing cable news presenter, was a little-known contender in a crowded pitch for the Republican Governorate of Michigan when she announced her candidacy in May 2021.

But after several of her competitors were disqualified (mostly for including fake signatures on nomination petitions) and after gaining the coveted endorsements (including Donald Trump), Dixon leapt forward to win the primaries, positioning her to fight head-on. head with incumbent Governor Gretchen Whitmer in November. The race between them is expected to be close.

A breast cancer survivor said vaccination should be a “personal choice,” Dixon said her choice to take off was motivated by her anger at Whitmer’s strict policy to end COVID. She took a firmly right-wing stance on issues like abortion (she opposes it), gender education in schools (she calls it “indoctrination”) and the 2020 presidential election (she contests the results).

But long before getting into conservative politics, Dixon was an actress for a short time. Between 2008 and 2012, Dixon starred in several low-budget horror films set in Kalamazoo, Michigan. Most of them have been removed from the internet (or have never been available on the internet), but the easiest to find all of them is a wonderfully dirty, deeply frivolous teen horror-comedy-zombie sex movie. Buddy BeBop versus the living dead.

What exactly is this movie unclear about, even after two full views. Movie – Released in 2009 and available on Roku and Amazon Prime Video (where I watched it) – takes place in the 1950s Americana town inhabited only by boys and teenagers in poodle skirts. It usually opens just enough for a horror movie – with two teenagers hooking up in the car. But things quickly take a weird turn when the pair are attacked by a group of zombies immediately after the brat gets a blowjob. (“If I were a man smoking, now would be that time” will forever be this teenage boy’s last words.) Below is essentially a Marilyn Manson fan camera, with slow-moving black and white shots of zombies in tightly framed eyeliner stuffing their guts into their mouths while heavy metal is playing in the background.

For a horror movie, it’s not that scary, and for a comedy, it’s not very funny. And for some reason the whole thing is black and white. It might seem like a nod to the 1968 classic Night of the Living Dead if it weren’t for the bizarre choice of coloring random objects such as the main character’s bright red shirt, the ketchup and mustard coloring of the ice rink, and the bright yellow car that teens play with at the beginning of the movie.

Add some credits and we’ll move on to Buddy BeBop, a sloppy high school student who dreams of becoming a rock’n’roll musician. When we meet him for the first time, Buddy prepares for a musical performance at the city’s roller skating rink. But when zombies burst into town, the roller skates quickly turn into a battlefield, forcing Buddy and the tiny jumpers to fight for their lives.

It is on the field off this roller skate where the character of Dixon has his short but dramatic moment in the spotlight. Dressed in a sweater vest and Mary Janes, the character of Dixon has no lines and only appears for a few seconds before being knocked to the ground and brutally eaten by two zombies. The camera moves to her screaming face as blood pours around her eyes and down her ankle, putting a quick end to the governor’s only appearance in the film. (In the end credits, her character is only referred to as “Tag Teamed Bopper”).

Elvis appears in the final act of the film, sent by the vice president of the United States to protect Buddy Town. Elvis has apparently brought some cure for the zombie fiction with him – except that he only has one dose. How was Elvis going to save an entire town from being eaten alive with a single dose of zombie medicine? It is not clear. In this, too, he fails miserably.

Questions abound after the last roll of credits. Why did they color the blood on the face of one victim but not the zombies? Why only some of the characters have deep southern accents? Why did the vice president entrust Elvis to save the city from zombies? Like the Loch Ness Monster or the Easter Island statues, these are only life mysteries unanswered.

“Is it a good movie? We know the answer to this question. No, it’s not, said Chad Ream, producer Buddy Bebop, in an interview with Detroit News in May. Does it have any fun parts? It depends on how you find your sense of humor.

By the way, it was not the end of Dixon’s acting career. Her most important role was the internet series entitled Transitions, an internet vampire television show released in 2010 with a few flat-ironed hair and an eyeliner from the 2000s. Dixon played a vampire named Claire who is, surprisingly, British. Little evidence remains to evaluate her accent, however, as the show’s creators removed nearly every episode from YouTube in early May. Now all that is left exists in the clips and screenshots – Dixon twirling his sword, buttoning his shirt, suggestively putting dark lipstick on the mirror and screaming “Do I have your attention now?” in which it sounds like a British accent.

Dixon’s past life as a low-budget actress went largely unnoticed by voters until May. But as her campaign began to gain momentum, clips with her performances on Transitions took off on Twitter and was armed almost immediately by her opponents. “Vampire porn actress,” one expert I called her. “They were almost as terrifying as her dangerous show,” the Michigan Democratic Party said of its films in an advertisement for the attack against her. Critics called her hypocrisy for promoting family values ​​and being tough against “explicit sexual” EducationShe said she would criminalize adults who allow minors to watch drug shows and that schools should not “normalize” discussions about gender identity or sexuality – when she was clearly involved in projects that were both violent and sexually suggestive. (Buddy BeBopwhile it’s not entirely clear cut, it has a lot of horny teens doing it in weird ways. At one point, two teens are literally foaming from their mouths doing it doggy style screaming “Put this in my ass!” in the bathroom on the ice rink.) Buddy BeBopZombies are deliberately exaggerated, biting into the belly of a pregnant woman, infiltrating a teenager on a track, licking blood off a linoleum floor and – my personal favorite – biting off a perverted middle-aged man’s cock.

Her 2008 film LexiBaby– about which Gazeta Kalamazoo wrote: “Somewhere a good movie” and that the cocaine scenes were distracting because they were “too obvious sugar grains” – also sparked accusations of hypocrisy. Dixon plays a character named Emma, ​​described on the movie’s website as “attractive” and someone who “looks nice” but who is apparently also “self-centered” with destructive behavior. In the only clips left on the internet that are taken from the trailer, the viewer sees shots of the Dixon character watching her boyfriend make rows of cocaine before she straddles him and picks up his shirt.

Dixon said she never saw Buddy Bebop and never seriously considered acting as a career. She has also dismissed suggestions that her old film projects undermine her public platforms, informing Michigan news outlets that her work is intended for adults and different from those that children can access – although snippets of her work are still readily available online and too Buddy BeBop it is still available to anyone with internet and $ 5 to spare.

A random episode in low-budget B-movies is unlikely to derail Dixon’s fate. But revealing her acting past is just another reflection of how strange the governor race in Michigan has become and how poisonous campaigning in the primary election can be – and a reminder that several political hopes in this election cycle have passed through spells as performers, including during the day. TV.

Whether Buddy BeBop and his horny zombies make an appearance in future campaigns against Dixon remains to be seen, or whether all of this will become a footnote to the story of another messy, petty political campaign for the battlefield state in the years after Trump.

However, not everyone knows Dixon as a politician. When I contacted Jon Petro, one of the producers LexiBabyin early August he did not know that Dixon was running for governor and was confused as to why a reporter would call for her.

“Oh yeah, that’s right, how is she doing?” Petro said after I explained. “Just saw a sign about it.”

It was nine days after she won the Republican primary. I told him that.

“Gee … wow,” Petro said, pausing. “I had no idea she understood that far.”

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